August 2026

August Proves Us Liars

 

Last weekend, I took a quick overnight trip to Smithville, Missouri, to celebrate my father's 85th birthday.


I genuinely look forward to that drive. It's one of the few times I can spend several uninterrupted hours watching the Midwest reveal itself one mile at a time.


The route is familiar. The landscape never is.


Clouds build through the afternoon, casting shadows that drift across the fields before dissolving somewhere beyond the horizon. At every river crossing, I look for something I haven't seen before: a new sandbar, a rock bar emerging from the water, or another pile of trees that finally surrendered to a river that never quite stops reconsidering its course.


Cultivated fields stretch for miles before giving way to pastures and patches of trees. Corn and soybeans alternate until suddenly a field appears, dotted with rolled hay bales. Cattle gather beneath the shade of a single tree or stand belly-deep in farm ponds to escape the summer heat. Wind turbines churn steadily above the crops. Barges make their slow way along the Mississippi or wait quietly, moored along the bank.


Communication towers punctuate the horizon in ways I never tire of. Water towers stoically announce a nearby town before it comes into view.


Every so often, an overpass reframes the view. For just a few seconds, the landscape beyond it becomes a composition of its own. Then I pass beneath the overpass, and the composition disappears.


 


The Midwest never seems to run out of ways to surprise me. The landscape is endlessly inventive.


The week before my trip, I kept hearing the same sentence, myself included: "Summer's almost over."


However, beyond the windshield, the evidence told a different story.


The corn is still growing. The soybean fields are still a deep green. Thunderheads continue building through the afternoon. Rivers keep reshaping themselves. Another barge works its way along the Mississippi. Another overpass briefly reframes the view before disappearing behind me.


The landscape is still fully occupied with August, but our attention has already been recruited by September. Perhaps that's how August makes liars of us.


Merging onto I-39, I look for the plumes from the nuclear plant. They drift across the sky, telegraphing the wind and letting me know I'm almost home.


August is still there.

 


IT HAS BEEN SAID THAT ART IS A TRYST. FOR IN THE JOY OF IT, MAKER AND BEHOLDER MEET. 

– KOJIRO TOMITA

     
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